Tuesday, February 1, 2011

This Man Will Attend My Funeral

Jackie O'Shea
Do you have a list of things you would like to have at your funeral?  It's not as ghoulish as it may seem. And it doesn't hurt to prepare..


John Barry
One of the characters in "Waking Ned Devine", Jackie O'shea , played with warmth and believability by Ian Bannon, speaks at a 'mock funeral' for Michael O'Sullivan (David Kelly), who, by the way, is part of one of the funniest scenes in any movie. Just imagine an almost naked old man ( he is wearing a helmet, after all) on a motor bike.

At the church, where all are gathered, he mentions how wonderful it might be if you could attend your own funeral and listen to what folks said about you and perhaps get up and say a word or two yourself.

To be able to listen to the music sung or played, to play the guitar or banjo and sing a verse or two from "The Parting Glass". Ah. It would be grand, would it not?

My funeral request list would include a large slice of music.

 Live musicians and some recorded stuff.

The recorded items would include Vaughn William's "Variantions on a Theme by Thomas Tallas", and the sound track from "Dances With Wolves" (1990) by John Barry.
Barry passed away yesterday. He was 77 and one of the most prolific composers for movies who ever stepped gracefully from the British isles.
His themes are so glorious that at times they bring tears to my eyes. That is one of the prerequisetes for any music. I must be moved. Ralph Vaughn Williams does this. Beethoven, Tchycovsky, Rimsky-Korsakov, Bernstein, Richard Rogers and Copeland all fill me with joy and passion.

And John Barry, perhaps most of all. One only has to listen to a few bars of  John Dunbars Theme and a whole panalopy of images are opened. The sweep of prarie-land flows like a river of greens and yellows.  It is vast, and sprawls before you as a lone wagon crawls to the horizon, leaving behind crushed grass wakes.

Caine
In Zulu (1964) we see Michael Caine for the first time in a starring role as he saunters on horseback into camp, his heavy lidded eyes displaying class conflict. Barrys music, deep with horns and cymbals, leads him into Rourkes Drift, where, on January 22nd, 1879, he, along with 150 regular soldiers and colonials from the 24th Regiment of Foot succesfully defend an attack by approximently 4000 Zulu warriors.

"Rather then 'talkie-talkie' things, I've always like movies with excitement and adventure" he was qouted in an article for the "London Guardian". And adventure aplenty.

 Barry was born in John Barry Pendergast in Northern England where his father owned a chain of movie theaters and became immersed in the Hollywood genre from a very early age. He studied to be a classical pianist, but also picked up the trumpet and founded a jazz group, The John Barry Seven in 1957.

Shaken Not Stirred
 Seven seemed the number to follow him through out his life, as he also scored many of the James Bond films, starting with "Dr. No". Did he compose the famous guitar riff we hear at the begining of this decades old franchise? Well, there was a law-suit brought by another musician, Monty Norman,(by the way the song the famous signature riff came from is called "Good Sign, Bad Sign". Try that piece of trivia on a Bond buff sometime) and Barry paid him several thousand dollars to settle it. But in my book......well, I can't think of Bond without putting Barry in the mix.

 Besides the Bond Batch, he composed music for "Born Free" (1966) for which he received 2 of his many Academy Awards, "The Lion in Winter" (1968), and "Out of Africa"(1985) were nominated along with the soundtrack to "Midnight Cowboy" (I didn't know that!)  "Body Heat", "Somewhere In Time", "Peggy Sue Got Married" "The Cotton Club" and, yes, other then Jar Jar Binks, George Lucas' greatest bomb of all time, "Howard the Duck".

He had a knack for pulling emotion out of a movie that enhances the image beyond the natural visual experience. John Barry used an orchestra and his uncanny skill to bring you through the film and into the story.

In my mind he stands on solid ground beside Korngold, Newman, Ifukube, Bernard Herrmann, Mancini, John Williams and Max Stiener; to name just a very few of the men I consider giants in a field that holds few who could claim such a title.

Here is a link to a wonderful Youtube film quilt of great composers. Enjoy. http://www.youtube.com/watch?v=YIo9b48UUy0

He leaves a wife, four children, and five grandchildren and an insulating blanket of music behind.

I wonder what his "funeral list" might have included? Several hours of wonderful music would not suffice. Lets make it an all week affair. Heck, Bond will take several days.

(C) 2011 George Locke










1 comment:

  1. Hi George, it was great to come across this. It resonates with my website, My Last Song. And when I heard that John Barry had died, I selected five pieces he wrote that would be suitable for a funeral. It was difficult to choose five as so many of his scores have that ability to move me. Visit the website, look in the Fave Five songs section and you'll find the John Barry selection. Please submit yours too! Thanks, Paul

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